Fort Scott Biz

Catholic Church Reno Update: Help Needed To Fund Artifacts Restoration

Mary Queen of Angels Catholic Church. May 22, 2024.

The Mary Queen of Angels Catholic Church has risen from the ashes of the devasting fire that destroyed the church in August 2022.

To view the story of the fire: Fire at Fort Scott’s Catholic Church Causes Extensive Damage

People are working on the inside and the outside of the building at 705 S. Holbrook, with a target date for the church dedication of November 23, 2024, a week before Thanksgiving.

“The bricks are completed on the east (front) side,” Mark McCoy,  a building committee member, said.

“It’s a lot of intricate work, not just plain bricks,” he said. “The circle in the front will be where the stained glass window from the former church will be.”

“Over the next few weeks, subcontractors will be working inside placing drywall, and completing HVAC runs,” McCoy said. “Masonry will continue brickwork on the west side then move to the north and south.”

 

Work is being done on the exterior and interior of the Mary Queen of Angels Catholic Church. On the construction fence is an artist’s rendition of what the new church will look like.

 

The Mary Queen of Angels Catholic Church priest’s residence is on Holbrook Street on the backside of the church.
“Father Yancy’s house is completed,” McCoy said.
Meanwhile in Wichita, the restoration of the religious artifacts that were damaged is continuing.

The Restoration of the Artifacts

When Robert Elliot, a Catholic from Wichita, heard of the fire at Mary Queen of Angels Church in Fort Scott, he contacted Fr. Yansey Bergis to offer help and assistance in any way he could.

Elliot is a seasoned restorer with over two decades of experience, he said.

“It was apparent that I would be of the most help in rebuilding, restoring, and refurbishing all of the damaged and destroyed Stations of the Cross and all of the Statuary of the church,” Elliott said. “The fire, water, and smoke damage was enormous. I knew this would be a long and arduous process estimating at least one year to complete.”

Some of the artifacts of the Mary Queen of Angels Catholic Church, following the fire, provided by Elliot.

“Four stations were damaged beyond repair (so one might think) as they lay in pieces on the ground,” Elliot said. “The rest were out of view and we had no idea as to their condition. The insurance company needed a price to do the repairs. Without seeing all of the stations, I provided a modest calculation of what the cost would be. It was my desire to assist the church in its time of need.”

“He wasn’t able to analyze all the depth of restoration or the artifacts at that time,” McCoy said. “We are so appreciative of the work he has taken on.”

When all of the stations and statues arrived at his studio, they were able to assess their condition and begin to comprehend the immense task they had undertaken, Elliot said.

“Over the year we used all of the money allocated to the project to cover the cost of labor, materials, studio rent, insurance, and labor,” he said.

Some of the workmen on the artifacts at Elliot’s workshop in Wichita, were provided by Elliot.

“I have been using funds from my personal retirement account to pay the workers and the expenses for this project since the first of the year,” he said. “We have made great progress on the project since we started a year ago, but we have a long way to go. At the very least, four to six months more.”

“It is impossible to illustrate the amount of time and detailed labor involved in bringing each of the twenty-one religious artifacts back to life so to speak. At present we have generated a little over $6,000 of the $65,000 we need. The deficit, I will have to bear alone,” Elliott said.

A GoFundMe account is set up: https://gofund.me/15feea23

“Our goal is to generate the additional monies needed to complete this important work to a high degree of excellence and craftsmanship it deserves,” Elliot said.

Here are the artisans currently working on the project:

Mary Francis Skinner, Kathy Faulkner, Dan Ochs, Michael and Hector Ibarra, Gabe and Matan Umbarger, John Suffield, Jane Clark, Ian Snyder and Eliot who is the coordinator, logistics, art director, restoration and repair, quality control, recasting the destroyed frames, and painting the statues and stations.

 
“We are always interested in finding skilled persons willing to offer their services,” he said.
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